Call of the ValleyThese items will be on Reserve throughout Semester 2
Raga, rasa
Ravi Shankar collection: Three ragas
Ustad Ali Akbar Khan
Ustad Sultan Khan
Hariprasad Chaurasia
Rough guide to the music of India and Pakistan
Nusrat Fateh Ali Khan
Jan Garbarek: Ragas and sagas
Pandit Shivkumar Sharma: Rag Rageshri
Krishna Das: Heart full of soulEthnomusicology is said to be the top journal in its field.
The tables of contents can be browsed HERE.
We have copies of Ethnomusicology ranging from Vol. 34, no. 1 (Winter 1990)-Vol. 49, no. 3 (Fall 2005) on the library shelves at PR 780.8905 ETH
Ethnomusicology Forum is a mainstream music journal. The fulltext is available on EbscoHost Academic Search Premier, less one year's delay. If you want a more recent article, you may request it on interlibrary loan
Society for Ethnomusicology discographies
Discography of recordings from the Smithsonian
Recordings for sale from the World Music Institute (search by region: North India or South India)
James Rubin collection of South Indian recordings
Music India Online - an iconic website for downloads, ringtones and recordings
British Library's James Kippen collection of recordings (free streamed music)
British Library's archival Indian recordings (free streamed music). Browse by geographic origin.
Sangtar writes about Hindustani music. His blog gives descriptions, explanations and lots of original compositions.
There are two major traditions of Indian music. Hindustani music derives from north India, Pakistan and Bangla Desh. Carnatic music (aka Karnatic, Karnatak) which shares many of the same features, is from the south.
Introduction to North Indian classical music
Notes on Indian classical music
Hindustani classical music site from the ITC Sangeet Research Academy
The backbone of melody is raga. Ragas, like Western modes, express different moods and characters through tonality and intrinsic harmonic relations. There are hundreds of possible ragas. Rasa is any one of 8 or 9 subtexts of emotion asociated with a raga.
The Raga system in Hindustani music
Raga and musical scales in Carnatic music
Rhythm is tal, taal or tala, often provided by the tabla, and echoed in body movement.
Hindustani Taals and Carnatic Talas
The differences between Hindustani and Carnatic Tals
Indian music sounds different to mainstream Western, principally because of the scale. Voice and instrument glide over just intonation rather than equal temperament, creating microtones, and adhere to a unique and very complex system known as raga.
Indian classical music: Tuning and ragas
The 3 main aspects of Indian music: voice, melody, and rhythm, are most often expressed through 3 performers, sometimes contracted to only 2.
Some introductory and general links include...
Music and musical instruments of the Indian subcontinent
The instruments of Hindustani music, including the Tanpura and Swarpeti (Drones)
The Indian heritage of classical music
Listening to Indian classical music
Asian Music Circuit (U.K.) Check the performer profiles
Music Today (an Indian online music store)
Sourcebook for research in musicThese items will be on Reserve throughout Semester 2. They will be on the shelf at other times. So if in doubt, check the computer catalogue for their locations, and place a Hold if they are on loan.
Music library instruction
Music cultures of the Pacific, the Near East, and Asia
The classical music of North India
Music in North India : experiencing music, expressing culture
Music and musical thought in early India
The r¯ags of North Indian music : their structure and evolution
Ravi Shankar: My music, my life
The dictionary of Hindustani clasical music